Weekly Photo Challenge: May Colors and Letters

This week’s challenge comes from Citysonnet and is called May Colors and Letters, where for the month of May, each day is assigned a particular color or letter, and the sky is the limit as to our individual interpretation. Today, May 21st, the theme is Green Melody, so I have decided to share photos of some of the things I’ve made that happen to be green.

piano hammer key chain
an aqua key chain (personalized)

The hammers I find in the pianos come in a variety of colors: red, fuschia or pink, purple, royal blue, teal… and green… two different shades of green, in fact. To distinguish them, I simply call them green and aqua.

 

Christmas sign made from piano parts
Merry & Bright Christmas signs made entirely from piano parts

This one may be out of season, but it is the color for the day. 🙂 I got the idea for this sign while browsing the stencil section of the local craft store. When I saw a stencil of a string of Christmas lights, right away I knew I could make that with hammers and a section of piano wire. It’s mounted to a piece of wood that also came from an old piano. And yes, I did purchase a stencil to add the lettering. 🙂


Thanks again to Cee Neuner for her amazing directory, “For the Love of Challenges.” For the record, Cee’s directory lists not only photo challenges, but also writing and music challenges as well, and they are grouped by category. It’s very well organized.

Raise the Titanic — the paperback piano

Are you ready for another piano listening sample? Doesn’t Alex from The Paperback Piano do a great job at the piano? I enjoy both her performance style and her recordings.

Hey everyone! I nearly didn’t post a Music Monday today because the song this week is not well known AT ALL. But it was making me anxious to think of skipping a week so here it is for you after all! I recorded this one for my Nana as it’s one of her favourite pieces […]

via Music Monday: Raise the Titanic — the paperback piano

On Golden Pond — the paperback piano

Here is another gorgeous piano solo for your listening pleasure.

Today, I’ve got a lesser-known piece for you. It’s the main theme from the 1981 movie On Golden Pond, starring Katharine Hepburn, Henry Fonda and his daughter Jane. The film centres on an elderly couple living by a lake in New England, and it’s seriously gorgeous. The film’s soundtrack was […]

via Music Monday – On Golden Pond — the paperback piano

From the Studio: Andante Key Clock

With more and more customers asking for a clock, I knew it was time to build one. To be honest, I don’t remember where the idea for this design originated, or how I decided to incorporate plexiglass, but I will say that the end result has been worth the risks of stepping out of my comfort zone. And believe me, I stepped out with both feet on this one.

This first clock would be very large, and it would be for me, for two reasons. First of all, my kitchen needed a clock. We have a vaulted ceiling that extends high above the kitchen cabinets. When the house was staged for sale, there was a large clock in that space. I made up my mind that if the clock did not convey with the house, I wanted to replace it. Well, the clock did not convey, so I was going to replace it with a key clock.

This clock would have sentimental value, for I was building it with keys from a piano I used to play at my church. It had suffered smoke and water damage in a fire when our sanctuary burned down. In fact, when the piano first came to me, the sooty white keys were as black as the sharps, though with some TLC, I was able to get them white again. The piano from the sanctuary was reduced to charcoal, but this one was in a classroom. So while it was ruined as an instrument of music, I was overjoyed to discover that many of its pieces were redeemable for art.

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So I measured the space on the wall where the clock would go, cleaned up twelve of the keys, laid them out in a spiral on the kitchen floor to the dimensions of the space on the wall, and took a picture of the arrangement. I studied the keys to determine how and where to attach them to the plexiglass so I would know what size circle I needed to purchase. Then I shopped around both locally and online to find the best source for the plexiglass. I found it on eBay, already cut into circles. I also found clock mechanisms on eBay that could be attached to the front of the plexiglass so that I would not have to take the entire clock down off the wall to change the time or the batteries. That was my favorite feature of the clock.

Before beginning to build the first clock, I prayed and asked God for wisdom to know how to do it right. Yes, the Lord cares about everything in our lives, no matter how great or small those things may seem. Then I watched several YouTube videos regarding how to drill holes into plexiglass without cracking or scratching the surface. When I believed I was armed with enough knowledge, I set out to make key clock number one. As recommended in one of the videos, I bought a titanium step drill bit to use for the task and prepared my worktable by laying down two pieces of scrap 2x4s so my drill bit could extend beyond the plexiglass without hitting the table. Using a 24″ ruler and a compass, I marked lines on the protective cover on one side of the plexiglass, to indicate where the keys would be positioned around the face of the clock. Next, I measured and marked where I would place the screws in the keys, and finally, where the holes would go in the plexiglass.

Now came the crucial moment, the moment when it was time to drill the first hole in the plexiglass. The tutorial had warned that plexiglass heats up fairly quickly, and that you have to use your drill on high speed to prevent cracking. So no going slowly because you’re scared. It’s all or nothing. He also recommended leaving the protective covering on both sides of the plexiglass. If there is none, then cover the area to be drilled with masking tape before drilling. This also helps to prevent scratches and cracks. Apply firm pressure and feel the steps as your drill bit sinks into the material until you reach the desired depth. One… two… three… That’s it. My first hole is done! Only 23 more to go! I tested them with the screws (also taken from out of the piano). Some of them didn’t quite sit right, so I had to widen the holes a bit, but before long all the holes were drilled, and it was time to remove the protective covering. No cracks! Praise the Lord!

The next step was to drill pilot holes in the keys to prevent the wood from splitting when the screws were added. I could not use the step bit for that, so I used my regular drill bits and went up three sizes, effectively drilling 24 holes three times, for a total of 72 holes. Then came the task of attaching the keys to the plexiglass. I was using both “ivory” (not genuine in this case) and ebony keys in a chromatic arrangement, but since I was working from the back of the clock, I had to think backwards, not easy for this brain of mine. I messed up a couple times and had to remove some keys and start over, but eventually I got them on correctly. Another victory—all the keys were attached, and still no cracks in the plexiglass! Again, I praised and thanked the Lord.

The mounting hardware went on with one of the screws that holds the key at the twelve o’clock position. With that done, the only thing left was to put the clock mechanism on. I had not thought to mark the center (something I do nowadays), so I assembled the clockworks and laid it down in the center of the assembled face, then watched the second hand go around, making minor adjustments to its position as needed until it was centered. I marked the place with a Sharpie, then set it aside while I attached the mounting foam. This particular model came with a foam shell that attached with adhesive to the surface, and the clock slid into it. A 4″ round black face hid the foam pouch nicely, and it looked beautiful in the center of the keys.

Oh, yes. I learned the hard way to wear latex gloves throughout the process to keep fingerprints off the plexiglass. Dust is another matter. I did my best, but it is inevitable that some dust will get on the plastic. I wiped it carefully with a lint-free cloth, then hung the clock on the wall. This was no small task, especially since I had to use an 8′ ladder, and I’m afraid of heights. But it’s up there, and it’s going to stay up there indefinitely.

The key clocks I make for sale are not nearly so large, although they are not small by any means either. For my customers, I cut the extensions off the keys to produce a clock that is 21″ in diameter. The assembly process is the same, but I make the clocks in a variety of designs, both chromatic and symmetrical. Among the symmetrical patterns, sometimes I place the black keys (ebonies or sharps, whatever you want to call them) at 12, 3, 6, and 9, and sometimes I place the white keys (or ivories) in those positions. As with all of my creations, no two clocks look exactly alike. The keys will vary, depending on which piano they came from. The clock parts will vary, depending on my supplier. And the design will vary, depending on the whim of the day. I have also made some to order. In fact, one of my favorites was a clock made for a beach house. For this one I used distressed keys, old ivories that were still somewhat whitish but broken, and painted black keys that had turned gray after a good soaking in the sink. 

Most of my piano art creations have a name that has something to do with music. For a while, I simply called this one “Key Clock,” but it too begged for a musical name. So I stared at the movement as it went around the face of the clock one evening and thought for a while, waiting for a name to come to me—Andante, “moderately slow tempo.” If you look at the metronome, andante doesn’t appear to be all that slow. But then again, neither does time, especially when you’re having fun. And I have fun making art from old pianos. Even so, time is steady, andante, as it marches along, never going backward, always pressing forward.

To date I have made six Andante Key Clocks, with four more ready for assembly. And so far I have not cracked any plexiglass. I still thank the Lord for success every time I finish drilling 24 holes in a new sheet, and I’ll do it every time.

Thank you for joining me on this tour of the studio. I look forward to seeing you on the next one. Until then, I invite you to check out photos of my other work in the gallery. Enjoy the rest of your day!

Weekly Photo Challenge: Connection

This week’s challenge comes from Little Pieces of Me, where for the month of May the theme of her Go on a Photo Adventure challenge is CONNECTION.

I recently made a few new connections in Slidell, Louisiana, when my two sons and I drove out there to meet a retired piano tuner, his daughter, and her son. We also brought back with us three old pianos and as many boxes of old piano action parts as we could fit in the truck without making one of my sons walk back home again! 🙂

Slidell Pianos (2)

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What a joy it was to spend the day with these beautiful people! Our lives are forever changed by this happy connection.

 


Thanks again to Cee Neuner for her amazing directory, “For the Love of Challenges.” For the record, Cee’s directory lists not only photo challenges, but also writing and music challenges as well, and they are grouped by category. It’s very well organized.

I See The Light (Tangled) — the paperback piano

For today’s curated post I am sharing a piano music video. In fact, I’m going to do that for the next three weeks. Why not? 🙂

‘I See the Light’ was composed for the movie Tangled, a Disney adaptation of the story of Rapunzel and their 50th animated feature film. The song was written by Alan Menken, who composed many songs […]

via Music Monday: I See The Light (Tangled) — the paperback piano

Acrosonic by Baldwin

Curbside Piano (01)

Do not disregard the Acrosonic piano as one of inferior quality, or a knock-off brand. According to Living Pianos, “Acrosonic is the biggest selling brand name in the piano industry of all time.” The name Acrosonic, coined from the Greek words akros (“supreme”) and sonus (“tone”), was trademarked and used by Baldwin specifically for their spinet and console pianos. Spinets and consoles are the shortest of the upright pianos, with the spinets measuring just 36-40 inches tall, and the consoles standing at 40-43 inches. This compact design was made possible by placing the action under the keys. Many people esteem the Acrosonic as the finest spinet piano ever built.

Spinet and console pianos are quite useful in small rooms, where an instrument is desired, but space is at a premium. The Acrosonic pianos by Baldwin were both compact and elegant, being offered in a variety of different cabinet styles and finishes, from Louis XV to Danish mid-century modern. They also were, and still remain quite affordable, being valued at between $1000–$3000, depending on their condition; and there are several currently available on eBay, with prices ranging from $0.99 to $3,800. I even found one within 200 miles from home, so that I could spare the shipping charges and go pick it up. The price was right, and the piano was very lovely. It was tempting. But it still works, so I could not justify purchasing it to take it apart and make art from it, and I already have a piano in my home to play. So I resisted the temptation and left it to go to another home.

D. H. Baldwin

Dwight Hamilton Baldwin was a respected music teacher and church musician in Cincinnati in 1857. Over the next eight years, he transitioned out of teaching and into a position as a purchasing agent for Chickering & Sons with his own company, Baldwin Piano Company. He had a stock of pianos, but lost all but one in a fire in 1866. By 1871, he had moved his firm to 142 W. 4th Street in Cincinnati, and he remained there until 1955.

With the help of Baldwin’s shrewd bookkeeper, Lucien Wulsin, Baldwin became the largest piano and organ dealer in the western states, eventually opening additional stores in Louisville, Kentucky, and Indianapolis, Indiana. For several years, his primary focus was retail, dealing with the resale of Chickering and Steinway pianos. But in 1887, when Steinway decided not to renew their contract with Baldwin, he shifted his focus to the production of his own line of pianos. While he did make pianos with the name Baldwin on them, he produced instruments under other names as well, often to honor people whom he knew. For instance, he built reed organs under the names Hamilton and Monarch; he also built upright pianos under the names of Ellington, Valley Gem, Howard, and of course, Acrosonic, among others.

Because of the superior quality of his pianos, Baldwin enjoyed the sponsorship of several celebrities, including Liberace and The Lawrence Welk Show, who used Baldwin pianos exclusively. Baldwin’s success lasted into the 1990’s. During that decade the company was sold to Gibson Guitar Company; and thanks to Gibson, Baldwin pianos are still being produced.

My Acrosonic

The Acrosonic that came to me came because I do taxes. One of my tax clients saw it on the curb in their neighborhood and sent me a text with the address. I drove over there and took all the parts that I could remove—which was most of them—then left the heaviest pieces for the sanitation engineers to collect. So I didn’t keep the entire piano out of the landfill this time, but there wasn’t much waste. Since it was sitting on the street, it was easy for me to lay the piano down to remove the pedals and other pieces underneath, then stand it back up again, a testimony to the lightweight nature of this model, that I could do all that by myself.

By tracing the serial number, 512480, I found the piano to have been built in 1954. On the cast iron plate, below the serial number, is a stamp that reads in part: “Patented Full Blow Acrosonic Action Built Exclusively by Baldwin.” The words “Built by Baldwin” are also imprinted in the iron plate, and they appear on the fallboard as well. The keys were not genuine ivory, as the use of ivory had been discontinued by the 1950’s, but they were in very good condition. The cabinet, however, could have been cared for a little better. There was a ring from where someone had set down a cold beverage glass, and several scratches and nicks in the finish. Overall, however, I was thrilled to come across this piano, and even happier that everything I took off of it (barely) fit inside my Nissan Maxima.

Today I would like to offer you a special treat: a video demonstration of what an Acrosonic sounds like. It really does have a nice sound, as I think you will agree.

Not only am I impressed with the sound of this tiny instrument, but I’m impressed with how similar in style this particular model looks to my piano. The color is different, but that is just a matter of a paint job. The dealer pointed out the purpose of the style was to mimic the square grand. When he said that, I looked at it again and thought, “He’s right.” It does resemble a square grand, though understated. It’s just one more example of how great things can come in small packages.


Bibliography

Pierce, W. Robert. Pierce Piano Atlas. 12th Edition. Larry E. Ashley Publishing: Albuquerque, NM, 2008

antiquepianoshop.com

bluebookofpianos.com

ebay.com

livingpianos.com

Weekly Photo Challenge: Less Is More

This week’s challenge comes from Lens-Artists Photo Challenge #43: Less Is More. I hope I’ve linked back to the correct blog. Anyway, I love what this photographer had to say on the subject. Allow me to share two quotes from her post, and I invite you to click over to her site to read the rest….

“A designer knows he has achieved perfection not when there is nothing left to add, but when there is nothing left to take away.”
– Antoine de Saint-Exupery

 

 

 

 

Quartet (03)

“Simplicity is the ultimate sophistication.”   – Leonardo da Vinci


Thanks again to Cee Neuner for her amazing directory, “For the Love of Challenges.” For the record, Cee’s directory lists not only photo challenges, but also writing and music challenges as well, and they are grouped by category. It’s very well organized.

From the Studio: Coming Home to You

 

Christmas was approaching, and we put our names in the hat for the gift exchange. I drew my brother-in-law’s name, but had no idea what to get for him. He is a cross-country truck driver, home only on the weekends. I’m an artist, specializing in things made from piano parts. I decided to make something for him from the materials at hand that he could carry with him in the truck.

First, I went to social media and downloaded a nice photo of my sister, and cropped it to 5×7. Then I went out to the garage, to my supply of piano wood, and taking the footboard from the 1915 Kohler & Campbell upright piano, cut two pieces from it, trimmed to approximately 6×8, and sanded the edges nice and smooth.

The veneer was loose on one side of the wood, so I removed it completely on that side, then stained the cut edges of the wood and the exposed wood where the veneer had been removed, and set it aside to dry while I worked on the photos.

The original photo I kept pretty much as it was, with the exception that I applied a sepia filter to it in Photoshop. Then I copied and reversed it on the vertical axis, forming a mirror image of the original. I then made the reversed image transparent (like a watermark) and added over the top of it the words, “Happiness is having someone to come home to.” I ordered the prints through Sam’s Club and picked them up an hour later.

Back home, I used a spray adhesive to apply the photos to the inside panels of the wood, then let them sit several hours to dry. The next day I attached the two pieces of wood with two store-bought hinges and applied two coats of a clear polyurethane varnish to all surfaces, allowing time to dry between coats. Finally, I let it rest a few more days to cure.

When Christmas came, I was a bit apprehensive, wondering if Richard would like his gift. I didn’t need to worry—he loved it!

I can make one for you as well. Simply send me a photo and payment, and I will do the rest. The finished product may look slightly different from what you see in the photos here, depending on which piano gives you its wood, but the end result will be a unique and beautiful keepsake—made from the wood of an old piano—that you and your loved one will treasure for years to come.

Happiness is coming home to you!

Weekly Photo Challenge: Vanishing Point

This week’s challenge is Cee’s Black & White Photo Challenge: Vanishing Point hosted by Cee Neuner from Cee N Photography.

Kohler & Campbell (9bw)

This was an old piano before it came home. My son and I were just deciding how to extricate it from its place in the back of a garage. While he summed up the situation, I lifted the fallboard a bit to examine the keys.

Ivory Ornaments bw

A bunch of keys have been cleaned, cut, sanded, and are now ready to be painted, lettered, and made into Christmas ornaments.

Key Tiles bw

Many small letter tiles have been cut from piano key extensions, sanded, painted, sanded again for a distressed look, and hand lettered. They will be added to a large Keyed Up, a set of piano keys used to store none other than keys!

 

Action bw

This last photo is an action waiting to be removed, disassembled, cleaned, and put to use.


Thanks again to Cee Neuner for her amazing directory, “For the Love of Challenges.” For the record, Cee’s directory lists not only photo challenges, but also writing and music challenges as well, and they are grouped by category. It’s very well organized.